About the Movie
Allah’s Sadık Kulu: Barla is one of the most watched Turkish animated Films. The Movie was released in 2011, from the director Esin Orhan.
In the film, we are witnessing the life of Bediuzzaman Said Nursi once again after the free man we watched last year, but this time with a significant difference. This week, God’s loyal servant: barla film in Turkish cinema has been prepared with a unique animation technique.
Bediuzzaman Said Nursi’s 82 – year-old life, ‘barla’ (exile place) between 1927 and 1934, is discussed. I mean, after what was said in the free man movie! Of course, since the first frame of the film, we are drawn into an Islamic narrative, invitation, and propaganda. Konu: in a hospital on the outskirts of 1920s Los Angeles, an injured stuntman begins to tell a fellow patient, a little girl with a broken arm, a fantastical story about five mythical heroes.
God’s loyal servant: the bar was built using motion capture, motion capture technology, but this technique is no more critical than a first practice. Motion capture is an animation technique developed primarily for military purposes and eventually became Hollywood’s favorite to better imitate motion dynamics… The adventures of tint: the secret of the Unicorn is always a technique for those who like to play with cinematic toys such as Robert Zemeckis, as well as the box office bomb avatar and the latest Tenten Adventures…
God’s loyal servant: Darla is nominated to be the film of the week, which will make him talk about himself regarding technical and content, and will lead to exciting cinematic discussions. But don’t expect a Hollywood-standard job. If the animation in question, you may have to show more tolerance to Turkish cinema than you always do. Because it is possible to say that the team that created barely followed the animation technique I mentioned ten years behind. Nevertheless, there is an appreciation of this effort. But by an unfortunate coincidence, it is evident that there is a job to eat 40 kilos of bread next to Tenten, who came into sight the same week. Flaws in general plans, in close plans, in moments when characters use gestures and MIME, turn into novice mistakes. Voice and mouth movements are not very consistent. The sequences that the characters stand still and talk about are almost better than the moving images. And the folds that give the impression of a black pencil in place… The team requested a quick Roundup of the film, is suffering from a lack of time and experience, it is apparent, and so why he can’t stop saying this movie was filmed strictures 108 minutes human. A right-made central feature could have been better, even a short feature! Of course, then it wouldn’t be the commercial part of the business.
The image of a said nurse is rising in their eyes. We have a man who is very important as he suffers, as he is excluded from his ideas and exiled. It is an integral part of the film that Ataturk’s ‘contemporary’ ideas and conflicts with his proponents! His obsession with “what’s not of us is bad” is in the vein of this film. Of course, we think that the propaganda identity of the film is trying to be inspired by the present when it comes to a contemporary issue such as the Kurdish – Turkish problem. The music used to increase the feeling that exists, to increase the spirit of personal faith, pain and struggle are also quite impressive!
In the end, there is a life story that is tried to be told by motion capture technique (almost the only good part of the film). But it’s nearly impossible to talk about an innocent movie! Because by prolonging a person’s life story, he tries to connect to other issues that you understand that there are other problems in the film!